I love this set for combining the look of having been coloured with highlighters with the look of detailed stenciling on the woman's dress, and I love the way the lack of tinting on the woman's face, legs, and hands and the entirety of the man gives them a surreal sense of unreality, like they are bright pink ghosts. I love the really long stems on the flowers that stick out oddly in almost every picture. I love how they are all sent from the same man to his fiancee on the 20th, 21st, and 24th of July (1929), and I love how he always notes the time he wrote (this is not uncommon in the period, but I always love it). I love how all the messages cut off mid-sentence-- he must have continued on in a longer letter or on other cards. I just love this set.
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On this one, I also love how the tinting of the dress extends past the actual hemline of her dress!
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I have just discovered your blog from a link on "Two Nerdy History Girls" and I have to tell you I am just fasciated! I collect postcards such as these, as well as vintage linen postcards. Thank you for all the information you are providing regarding the processes used to color these beautiful images! I scan my postcards, modify them in Photoshop, and create digital collages with them, as well as make digital collage sheets to sell.
ReplyDeleteI am adding the links to both of your blogs to my blog roll and I invite you to visit me at The Gossamer Tearoom!
Wishing you a wonderful Sunday,
Betty
Hello there, thank you for your comment! Awesome to hear from a fellow collector of these cards-- I'm amazed at how few collectors there seem to be, honestly! I'm glad you found it informative, since I found almost no literature on these kinds of cards I'm making it my mission to research them and eventually create some literature. Your collages look great-- a lot of them seem to fit right in to to the surreal photomontage look that was popular in the early 20th C! Thank you for linking to me, I appreciate it!
DeleteBest,
Anna